Artusi is named for one of music’s great curmudgeons, the 16-17th century composer and theorist Giovanni Artusi. Giovanni insisted on following rules and learning by rote, and Artusi the software helps instructors teach just that—we help you do the mechanical stuff so you can spend more time on the creative stuff. Giovanni, who attacked Claudio Monterverdi’s innovations as the sign of alarmingly decadent decay in musical standards, might be horrified by our innovation of using digital tools, but he’d be really happy that we help you learn counterpoint. Like, really really happy.

Artusi was founded in early 2018 with the mission of helping people around the world learn and teach music theory, both to improve the overall level of music theory knowledge, but also to save time for students and instructors to devote to the more creative aspects of music, including music making in all forms. Artusi was first devised by Professor Michael Scott Cuthbert, is currently in open beta, and will become commercially available in Spring 2020.

How much does this cost?

Using a pre-made worksheet to improve and self-test your musical knowledge is free and always will be. Artusi is in beta through the end of the Fall academic term, 2019. Starting Spring 2020, we will charge students a subscription fee for use in the classroom.


Michael Scott Cuthbert, PhD Chief Music Officer

Michael Scott Cuthbert, but less formally, Myke, is a musicologist, music theorist, computer musician, digital humanist, and lapsed clarinetist and composer. Myke teaches music theory and history at MIT as an Associate Professor and Faculty Director of Digital Humanities. He’s the creator of the music21 toolkit for computational musicology and its javascript sidekick music21j. Myke loves teaching theory but was bothered by the fact that so much of what he was teaching was disconnected from the process of hearing and making music. So he started making digital tools for music theory on the side and slowly integrated them into his classes along with MIDI keyboards and other computer tools (shoutout to our friends at Meludia, MuseScore, and Noteflight!), and here we are. When Jessamyn—his partner in 14th-century Italian lovin’—said she’d like to take what he was doing, team up with “the only person with more crazy energy than her” (Logan; and she was right), and make it public, how could Myke say no? Plus he wanted to work with Ryaan, whom he knew from hacking music21 to study Monteverdi years ago. Despite getting three degrees from Hahvuhd, living in Boston for 23 years, and belting "Sweet Caroline" regularly at Sox games, Myke still considers himself a San Diegan and misses good carne asada like you wouldn’t believe.

Ryaan Ahmed, MM Chief Technical Officer

Ryaan Ahmed is a professional musician, music director, full-stack developer, and entrepreneur. Ryaan met Myke when Ryaan was an undergrad at Harvard, where Ryaan studied computer science and music, played in the Erwin Bodky Award-winning Harvard Baroque Chamber Orchestra, led the Early Music Society, and was the 2010–2011 director of the Harvard-Radcliffe Collegium Musicum Chamber Singers. Ryaan holds a Master’s degree in early music from the Eastman School of Music, where he studied lute with Paul O’Dette and was supported by the Paul and Daisy Soros Fellowship for New Americans. As a freelance musician, Ryaan has worked with the Welsh National Opera, English Touring Opera, Shakespeare's Globe Theatre, and many other early music groups and opera companies. Ryaan started a tutoring business in college, which he still runs, and has been involved in a number of tech startups.

Jessamyn Conrad, PhD Chief Executive Officer

Jessamyn Conrad is a writer, historian, and communications professional who went to university with Myke. However, Jessie and Myke only became friends when they re-met in Florence, when Myke was on a post-doc and Jessie was doing dissertation research in art and architectural history. Jessie’s academic work considered the interactions among painting, architecture, politics, and finance in Trecento Siena. Jessie finished her PhD at Columbia University, but wound up working as a research analyst at a hedge fund. While there, she met Logan through a mutual friend and law professor, but their friendship was really sealed when they went to the Hamilton birthday party that year at the Museum of Finance. There was ice cream cake. This was before the musical, and it was all very weird. Jessie is now a senior consultant at a strategic communications firm. Jessie’s first book, on politics, has gone into three editions, and she continues to write on arts and history and to lecture at the Cloisters, the Metropolitan Museum of Art’s museum of medieval art. Jessie is an enthusiastic audience member and loves early music, baroque, some opera, bluegrass, early country, and the American songbook. Jessie also has a thing for lutes.

Logan Beirne, JD Chief Financial Officer and Chief Operating Officer

Logan Beirne is a lawyer, professor, writer, and entrepreneur. Jessie’s long time partner in crime, Logan teaches corporate law at Yale, where he also studied as an Olin Scholar. Logan founded Matterhorn Transactions, a tech company that digitizes M&A documents for thousands of law firms and banks across the US, UK, and Canada. Logan’s first book, Blood of Tyrants: George Washington, the Forging of the Presidency, explored how George Washington shaped the institution of the American presidency and won the 2014 William E. Colby Award. Logan conducted a Fulbright at Queen’s University before working in investment banking at JP Morgan as an attorney at Sullivan and Cromwell. Logan is a frequent speaker on early American history and has appeared on ABC, Fox, History Channel, C-SPAN, NPR, and other media outlets. His writing has appeared in The Wall Street Journal, Reuters, The New York Post, The Huffington Post, USA Today, The Daily News, and The Washington Times.